fog
the bone ache
behind you ~ always behind you
the fog ache
the time ache
slowly
carrying
the turning
the ache that follows
the bone ache
in the fog
that says
what else is there
in the sunlight the bright shadows cross the red wall
fog
the bone ache
behind you ~ always behind you
the fog ache
the time ache
slowly
carrying
the turning
the ache that follows
the bone ache
in the fog
that says
what else is there
in the sunlight the bright shadows cross the red wall
dylan’s writing shed
was it then and was it just there
that he saw the colour of saying
and in its saying laid the windless nights
wrenched the candle’s songs
down the laboured layers of his poems
flooding estuarine
saturnine watered
beer-soaked
milky-breaded to sleep
was it just for us that he wrought alone
i thought the thought
that he might have done
old to autumn
slow in its long running
this storm
this black and blue autumn
its anticyclones of leaves
rising smokeless
high along a squall’s running
blowing through the field’s hair
defoliated in the whipping of a silver birch
gerry and the pacemakers on the radio
weeping the long shadows of a feeling
that we have all been here before
the music of the leaves running
in the wind’s pursuit
the tutu of the fig leaves dancing
sunshine upon the closing of eyes as
the day’s tenure slips through our fingers
a time that was never destined to persist
or to ever desist in the melancholy
of a long walk home
waving not drowning
every time i see a photograph of a wave i want to dive under it
to surface in a spinning look back to a far shore
to swim in the uncertainty
to question my sanity
or should that be salinity
for humour is a raft
gasping a laugh and not a tremor
the sky a lift and not a sodden blanket
the rain an exhilarating sting
not the pressure of a day going wrong
striding
push after push through the surf drag
drag drag dragging back in the undertow of leaving
of striding eye ward sand ward home ward
of a breath so big that the whole world waits
for my resurrection as the waters break
the drying sand drawn in seaweed reds and greens
and reds in eyes closed under a towelled sun’s standing
the long look back at the question
was i there was i really in there in that maelstrom
that rebirth never changes in exhilaration
that painting of a wave
there on the wall
barely captures the wave’s personality
but it hangs mine every time
and every time i return to being alive
if only just hanging on to the mane of the white horses
in the wild stallion that is my sea
my dear writer
your words
through the mincer of my mind
take on a hidden meaning
so ~ if you would be so kind
as to tune your mincer
to phase it in line with mine
and then we will be leaning
into the wind
some words do evince sir
if you would be so kind
swimmingly
a swimmer and her sea
that rare moment oft repeated
that instant when ‘at one with’ is
exactly what it says on the canvas
the clichéd flow of paint
into mixed with
the clichéd flow of tide
expressed in a laugh as wide and
as enchanting in its exuberance
as to appear as unbelievable
as ecstasy is illusive
but there it is captured by the artist
and swimmingly so
they will splash
leave it on the catch in case the cat
leave it on the catch in case the cat
leave it on the catch
leave it on the catch
leave it on the catch in case the cat